Minggu, 30 Januari 2011

[T783.Ebook] Download Ebook Vietnamese Home Cooking, by Charles Phan

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Vietnamese Home Cooking, by Charles Phan

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Vietnamese Home Cooking, by Charles Phan

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Vietnamese Home Cooking, by Charles Phan

When Charles Phan opened his now-legendary restaurant, The Slanted Door, in 1995, he introduced American food lovers to a new world of Vietnamese food: robustly flavoured, subtly nuanced, authentic yet influenced by local ingredients and, ultimately, entirely approachable. Phan's recipes are based on the premise that with an understanding of its central techniques and fundamental ingredients, Vietnamese home cooking can be as attainable and understandable as French, Italian or American. With solid instruction and encouraging guidance, perfectly crisp imperial rolls, tender steamed dumplings, delicately flavoured whole fish and meaty lemongrass beef stew are all deliciously close at hand. Abundant photography detailing techniques and equipment, and vibrant shots of Vietnam itself, make for equal parts elucidation and inspiration. Infused with the author's stories and experiences, from his early days as a refugee to his current culinary success, Vietnamese Home Cooking is a personal and accessible guide to real Vietnamese cuisine.

  • Sales Rank: #1284145 in Books
  • Published on: 2013-08-22
  • Original language: English
  • Dimensions: 10.75" h x 1.02" w x 8.74" l, .0 pounds
  • Binding: Hardcover
  • 224 pages

Review
'an excellent book' -- Diana Henry Stella magazine, Sunday Telegraph

About the Author
CHARLES PHAN is the executive chef and owner of The Slanted Door family of restaurants. He received the James Beard Award for Best Chef California in 2004, and in 2011 was inducted into the James Beard Foundation's list of Who's Who of Food in America. He lives in San Francisco with his wife and their three children.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is absolutely the best Vietnamese cookbook and if you follow the recipes it ...
By david kerr
This is absolutely the best Vietnamese cookbook and if you follow the recipes it is mich better than eating at The Slanted Door in SAN Francisco which has dumbed down his recipes for the public

0 of 0 people found the following review helpful.
Best recipe book ever
By JW
The book is not just a compilation of recipes but a story. It is a great book with authentic recipes and an insight to Vietnamese culture. I LOVE this book

0 of 0 people found the following review helpful.
Five Stars
By Bocachef
Another approachable well done book by a recognized authority. Came fast

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Senin, 17 Januari 2011

[O442.Ebook] Download PDF El Mapa de la Autoestima (Spanish Edition), by martín ross

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El Mapa de la Autoestima (Spanish Edition), by martín ross

El Mapa de la Autoestima (Spanish Edition), by martín ross



El Mapa de la Autoestima (Spanish Edition), by martín ross

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El Mapa de la Autoestima (Spanish Edition), by martín ross

Al terminar el libro... vas a descubrir muchas cosas tuyas que antes no conocías. Recorrerás, a pasos meditados, tus zonas más recónditas, mientras yo recorro las mías.

Los temas que más me interesan son la personalidad, el carisma, el entrenamiento emocional, y las suaves locuras de los amores románticos que forman parte de las fuerzas de la seducción.

Estoy seguro que, sobre estos temas, puedo decirte muchas cosas tuyas que hoy te resultan ignoradas, y lo puedo hacer gracias a EL MAPA DE LA AUTOESTIMA.

AUTOCONOCIMIENTO - AUTOESTIMA - RELACIONES - PERSONALIDAD.

* Reconocido por el Observatorio de la Familia de la Universidad de Navarra.
* Muy fácil de leer y de entender.

  • Sales Rank: #703161 in eBooks
  • Published on: 2014-03-21
  • Released on: 2014-03-21
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Una guía útil, Original
By Cloe
La verdad es que es un recorrido fácil, ameno y práctico hacia nuestro interior. A través de señales que el autor va facilitando poco a poco, preguntas claves y experiencias de gente real llegas a tener una visión clara de cuál es el color y la ruta trazada en tu mapa…o en tu vida. Al autor enhorabuena por su lenguaje y la forma tan original de narración, me encantó! La recomiendo al 100%

2 of 2 people found the following review helpful.
I highly recommend this book to everyone
By Amazon Customer
This book, El Mapa de la Autoestima, is well written and helpful. The author has put extra efforts in writing such a masterpiece. The quality of material of this book is worth more than its price. Easy to understand content for everyone. From me, I will definitely rate this book and the author's efforts a 5-STAR. I highly recommend this book to everyone.

1 of 1 people found the following review helpful.
Me encanta el concepto de "hazañas" y "anti-hazañas"!
By Marta
Por fin un buen libro de auto-ayuda en español ( la mayoria de ellos son tan pesados!). Este es differente. Me encanta como está escrito- es como hablar con el autor y hacer un poco de "brainstorming" con el.
Me encanta la frase: "vamos, pero vamos audarnos uno a otro!". El autor comparte muchas historias personales de su vida y también comenta otras historias de sus amigos o familiares. Todo este te hace parar y pensar un poco de tu propia vida. Es un gran libro para momentos de reflexión y meditación. Parece que vas hablando con el mismo autor! genial!
Es muy fácil de leer. Español es mi tercer idioma y normalmente leo en inglés (la mayoria de libros de auto-ayuda en español faltan de acción y les encuentro un poco "bla bla bla" y "poco acción" , para mi, los autores de habla inglesa suelen ser más practicos, en general, claro, creo que son las diferencias culturals). Pero, este libro ha cumplido mis expectativas 200% y no dudo en recomendarte lo a ti:) Lo recomiendo tanto como coach como persona tipo buscador que soy....Lo voy a leer otra vez...!

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Sabtu, 15 Januari 2011

[P689.Ebook] Free Ebook The Art of Execution: How the world's best investors get it wrong and still make millions, by Lee Freeman-Shor

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The Art of Execution: How the world's best investors get it wrong and still make millions, by Lee Freeman-Shor

The Art of Execution: How the world's best investors get it wrong and still make millions, by Lee Freeman-Shor



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The Art of Execution: How the world's best investors get it wrong and still make millions, by Lee Freeman-Shor

Over seven years, 45 of the world's top investors were given between $25m and $150m to invest by fund manager Lee Freeman-Shor. His instructions were simple. There was only one rule. They could only invest in their ten best ideas to make money.

It seemed like a foolproof plan to make a lot of money. What could possibly go wrong? These were some of the greatest minds at work in the markets today - from top European hedge fund managers to Wall Street legends.

But most of the investors' great ideas actually lost money. Shockingly, a toss of a coin would have been a better method of choosing whether or not to invest in a stock.

Nevertheless, despite being wrong most of the time, many of these investors still ended up making a lot of money.

How could they be wrong most of the time and still be profitable?

The answer lay in their hidden habits of execution, which until now have only been guessed at from the outside world.

This book lays bare those secret habits for the first time, explaining them with real-life data, case studies and stories taken from Freeman-Shor's unique position of managing these investors on a day-to-day basis.

A riveting read for investors of every level, this book shows you exactly what to do and what not to do when your big idea is losing or winning - and demonstrates conclusively why the most important thing about investing is always the art of execution.

  • Sales Rank: #854966 in Books
  • Published on: 2015-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .47" w x 5.50" l, .73 pounds
  • Binding: Paperback
  • 208 pages

Review
"This book isn't really about investing, instead it's more of an exploration of human behaviour under different types of stress, and this is what makes the book fascinating...This book is written to appeal to all kinds of investors, and is bound to appeal to both the author's peers and to the inexperienced investor." - Owen Jones, Fidelity Personal Investing "I think that you make a very good point, which is that there are many styles to investing as there are ways to go through life, but the person who knows his character, and is knowing of his environment and his investment horse, is the one that wins over the long term, provided that he is asked to make defined decisions, which strip the investor of his natural inclination to hedge his bets." - Crispin Odey, hedge fund manager and founding partner of Odey Asset Management "I am often asked by graduate students what books I have read that I could recommend they read to make the students better investors. My answer generally is that the student should read the Intelligent Investor and the Reminiscences of a Stock Operator; I will now add your book to the short list for students to read...I wish I had read this book thirty years ago!" - Dennis M. Bryan, Partner at FPA and a legendary investor in the USA "As investors we all know that we should let the winners run and cut the losers. The question is how this works in practice in investment management. Freeman-Shor provides a comprehensive framework how to deal with losing positions and how to make winning positions have a big positive impact on your portfolio returns. A great read for investment novices and professionals alike." - Dirk Enderlein, partner and fund manager at Wellington "With a unique insight into the day to day behaviours of some of the world's best fund managers Lee Freeman-Shor draws out some invaluable lessons for both the private and professional investor and lays bare the behavioural pitfalls we are all subject to in executing our investment ideas" - James Inglis-Jones, fund manager at Liontrust "I truly enjoyed reading your book. Not often I read a book that has so many relevant real-life examples. I also enjoyed reading the quotes very appropriate. You summarize a winning strategy in a very concise manner while backing it up with both examples and data. It is a must read for all managers and allocators. I will order my copy right away and will send some to our clients." - Arik Ahitov, Managing Director and fund manager at FPA "I really enjoyed reading it, although I have to say it was in some respects a chastening experience as - in spite of best efforts - there are times when I lapse into some of the negative behaviours you identify. I think the insights are terrific though and it will serve as an 'internal voice of conscience' forcing me to scrutinise execution and timing more thoroughly" - Daniel Nickols, fund manager and Head of UK Small and Mid-Cap equities at Old Mutual Global Investors "An enjoyable and thought provoking read, from somebody with the real life evidence to back up the findings. An easy to read and enlightening study of behavioural finance, brought to life with real life experiences" - Kevin Lilley, Europe ex UK fund manager, Old Mutual global Investors "It is an interesting and easy read with useful insights for the private investor." - Jeremy Prescott, Private Investor

Review
"This book isn't really about investing, instead it's more of an exploration of human behaviour under different types of stress, and this is what makes the book fascinating...This book is written to appeal to all kinds of investors, and is bound to appeal to both the author's peers and to the inexperienced investor."
- Owen Jones, Fidelity Personal Investing

"I think that you make a very good point, which is that there are many styles to investing as there are ways to go through life, but the person who knows his character, and is knowing of his environment and his investment horse, is the one that wins over the long term, provided that he is asked to make defined decisions, which strip the investor of his natural inclination to hedge his bets."
- Crispin Odey, hedge fund manager and founding partner of Odey Asset Management

"I am often asked by graduate students what books I have read that I could recommend they read to make the students better investors. My answer generally is that the student should read the Intelligent Investor and the Reminiscences of a Stock Operator; I will now add your book to the short list for students to read...I wish I had read this book thirty years ago!"
- Dennis M. Bryan, Partner at FPA and a legendary investor in the USA

"As investors we all know that we should let the winners run and cut the losers. The question is how this works in practice in investment management. Freeman-Shor provides a comprehensive framework how to deal with losing positions and how to make winning positions have a big positive impact on your portfolio returns. A great read for investment novices and professionals alike."
- Dirk Enderlein, partner and fund manager at Wellington

"With a unique insight into the day to day behaviours of some of the world's best fund managers Lee Freeman-Shor draws out some invaluable lessons for both the private and professional investor and lays bare the behavioural pitfalls we are all subject to in executing our investment ideas"
- James Inglis-Jones, fund manager at Liontrust

"I truly enjoyed reading your book. Not often I read a book that has so many relevant real-life examples. I also enjoyed reading the quotes very appropriate. You summarize a winning strategy in a very concise manner while backing it up with both examples and data. It is a must read for all managers and allocators. I will order my copy right away and will send some to our clients."
- Arik Ahitov, Managing Director and fund manager at FPA

"I really enjoyed reading it, although I have to say it was in some respects a chastening experience as - in spite of best efforts - there are times when I lapse into some of the negative behaviours you identify. I think the insights are terrific though and it will serve as an 'internal voice of conscience' forcing me to scrutinise execution and timing more thoroughly"
- Daniel Nickols, fund manager and Head of UK Small and Mid-Cap equities at Old Mutual Global Investors

"An enjoyable and thought provoking read, from somebody with the real life evidence to back up the findings. An easy to read and enlightening study of behavioural finance, brought to life with real life experiences"
- Kevin Lilley, Europe ex UK fund manager, Old Mutual global Investors

"It is an interesting and easy read with useful insights for the private investor."
- Jeremy Prescott, Private Investor

About the Author
Lee Freeman-Shor currently manages over $1bn in High Alpha and Multi-Asset strategies. Lee was ranked as one of the world's top fund managers in Citywire 1000 in 2012. He has been AAA rated by Citywire, Gold rated by S&P Capital IQ fund research and is Bronze rated by MorningstarOBSR. He has been at Old Mutual Global Investors since October 2005 and was previously Co-Head of Equity Research. Prior to joining Old Mutual Global Investors Lee worked for Schroders, Winterthur and in private client wealth management and has over 16 years investment experience. Lee holds the Investment Management Certificate and has an LL.B (Hons) law degree From Nottingham Trent University. He currently lives in Maidenhead, England with his wife Michal and their son Adam. In his spare time he enjoys going to the movies and having fun with his family.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Can save your bacon
By investingbythebooks
I’m a terrible snob when it comes to investment literature. Books written for private investors rarely interest me. This is different. This might be the most important book on investments that a private investor can read – if he can gather the discipline to follow the advice. It might actually save quite a few professional portfolio managers’ bacon as well.

Lee Freeman-Shor is the PM of Old Mutual’s Best Ideas Fund. The fund’s strategy is to select the 45 best investors they can find and let them invest in 10 stocks each. The aggregate of the underlying positions makes up the fund. The interesting thing from the perspective of the reader of this book is that this has given the author an unprecedented real time access to analyze and learn from the best during a long stretch of years. It turns out that less than half of the PMs’ positions were profitable. Some PMs lost money on as much as 2/3rds of their positions. And still, on average these elite investors generated good or even great overall investment results. How this could be is the content of this book. The short answer is so called money management.

The author first analyzed how the PMs acted when it came to their loosing positions, dividing them into three groups according to their behaviour. The Rabbits that didn’t handle loosing positions well and the Assassins and the Hunters who had two different profitable methods to turn losses around. Then Freeman-Lee looked to the opposite – how the PMs handle winning positions. They are now sorted into the unsuccessful Raiders and the top performing Connoisseurs. For each investor type the author analyzes their behavioural biases and discusses what could be learnt from what they are doing wrong and what they are doing right. A bit like The Little Book of Behavioural Investing by James Montier, but for the private investor and with a money management touch.

The thing with losses is that they become disproportionally harder to come back from the larger they get. If a stock goes down 25 percent it has to go up 33 percent to get even. If it goes down 50 percent it has to go up 100 percent and if it goes down 75 percent it has to go up 300 percent. The one thing you cannot do when experiencing losses is nothing. This is what the Rabbits did and they ended up in rabbit holes that were so deep that they couldn’t come back from the losses. Two things work – either you sell or you buy. The Assassins used stop-losses that gave them a fair amount of small losses but never the big ones that were impossible to turn around to profits. This is the typical trend following investor. The Hunters instead waited a little longer and then they doubled down by adding to the position. By doing this they lowered their average purchase price to something that was possible to make a profit from when the stock turned up again. This is the typical value investor.

The loosing habit in handling profits was taking profits too early. High returns are built “through preservation of capital and home runs” as Stanley Druckenmiller put it. A successful portfolio’s return is disproportionally created by a few very successful holdings. By selling as soon as a nice profit was at hand the Raiders effectively closed down their chance of home runs. Don’t.

This is a book written for private investors so it is very simple. Take away the case studies and use normal size font and it could be 70 pages. For its stated audience it is great. There is a fine balance in writing about a specialist area to the broader public. The good author writes for an intelligent person who doesn’t know much about the subject. The bad treats his readers like children. Freeman-Shor is in the good camp. I also like that he, in contrast to trading literature, gives a fuller range of money management options suited to both trend following investors and value investors.

The professional investor will not be surprised by anything in this book. Yet his performance could be vastly improved if he followed the advice. Simple but not easy.

18 of 24 people found the following review helpful.
Another Book Review From The Aleph Blog
By David Merkel
Some books are better in concept than they are in execution. Ironically, that is true of “The Art of Execution.”

The core idea of the book is that most great investors get more stocks wrong than they get right, but they make money because they let their winners run, and either cut their losses short or reinvest in their losers at much lower prices than their initial purchase price. From that, the author gets the idea that the buy and sell disciplines of the investors are the main key to their success.

I know this is a book review, and book reviews are not supposed to be about me. I include the next two paragraphs to explain why I think the author is wrong, at least in the eyes of most investment managers that I know.

From my practical experience as an investment manager, I can tell you that your strategy for buying and selling is a part of the investment process, but it is not the main one. Like the author, I also have hired managers to run a billion-plus dollars of money for a series of multiple manager funds. I did it for the pension division of mutual life insurer that no longer exists back in the 1990s. It was an interesting time in my career, and I never got the opportunity again. In the process, I interviewed a large number of the top long-only money managers in the US. Idea generation was the core concept for almost all of the managers. Many talked about their buy disciplines at length, but not as a concept separate from the hardest part of being a manager — finding the right assets to buy.

Sell disciplines received far less emphasis, and for most managers, were kind of an afterthought. If you have good ideas, selling assets is an easy thing — if your ideas aren’t good, it’s hard. But then you wouldn’t be getting a lot of assets to manage, so it wouldn’t matter much.

Much of the analysis of the author stems from the way he had managers run money for him — he asked them to invest on in their ten best ideas. That’s a concentrated portfolio indeed, and makes sense if you are almost certain in your analysis of the stocks that you invest in. As such, the book spends a lot of time on how the managers traded single ideas as separate from the management of the portfolio as a whole. As such, a number of examples that he brought out as bad management by one set of managers sound really bad, until you realize one thing: they were all part of a broader portfolio. As managers, they might not have made significant adjustments to a losing position because they were occupied with other more consequential positions that were doing better. After all, losses on a stock are capped at 100%, while gains are theoretically infinite. As a stock falls in price, if you don’t add to the position, the risk to the portfolio as a whole gets less and less.

Thus, as you read through the book, you get a collection of anecdotes to illustrate good and bad position and money management. Any one of these might sound bright or dumb, but they don’t mean a lot if the rest of the portfolio is doing something different.

This is a short book. The pages are small, and white space is liberally interspersed. If this had been a regular-sized book, with white space reduced, it might have taken up 80-90 pages. There’s not a lot here, and given the anecdotal nature of what was written, it is not much more than the author’s opinions. (There are three pages citing an academic paper, but they exist as an afterthought in a chapter on one class of investors. It has the unsurprising result that positions that managers weight heavily do better than those with lower weights.) As such, I don’t recommend the book, and I can’t think of a subset of people that could benefit from it, aside from managers that want to be employed by this guy, in order to butter him up.

Quibbles

The end of the book mentions liquidity as a positive factor in asset selection, but most research on the topic gives a premium return to illiquid stocks. Also, if the manager has concentrated positions in the stocks that he owns, his positions will prove to be less liquid than less concentrated positions in stocks with similar tradable float.

Summary / Who Would Benefit from this Book

Don’t buy this book.

3 of 3 people found the following review helpful.
Good summary of behavior and value investing ideas; comes with a free eBook copy!
By Taylor
Note: I received a promotional copy of this book from the publisher in exchange for sharing my thoughts AFTER reading it.

Professor Failure

What can we learn from failure? Aside from the fact that there’s an entire industry of business literature fetishizing the idea that it has much to teach us (as a kind of doppelgänger to the decades of success literature that took a person or business’s success as given and tried to look backward for an unmistakeable pattern that could’ve predicted it) I’m personally skeptical of what failure might teach. Life is complex and there is often little to separate the failure and the success but timing and luck in certain endeavors.

So, I approached Freeman-Shors book with some trepidation as the subtitle of the book suggests this is a study of failure. Au contraire, what we have here is actually a psychological or behavioral study, somewhat in the vein of Benjamin “you are your own worst enemy in investing” Graham, which studies not failure per se, but rather how investors respond differently to failure and thereby either seal their fate or redeem themselves.

A Behavioral Typology

The book recounts the investment results of several different groups of portfolio managers who were categorized, ex post facto, into various groups based upon how they reacted to adverse market conditions for stocks they invested in. The Rabbits rode most of their failed investments down to near-zero before bailing out and taking the loss. The Assassins had a prescribed set of rules for terminating a losing position (either a % stop-loss, or a maximum time duration spent in the investment such as a year or a quarter). The Hunters kept powder dry and determined ahead of time to buy more shares on a pullback (ie, planned dollar-cost averaging).

While I am suspicious of backward-looking rule fitting, I do think the author’s logic makes sense. What it boils down to is having a plan ahead of time for how you’d react to failure. The Rabbits biggest mistake is they had none whatsoever, while the Assassins managed to protect themselves from total drawdowns but perhaps missed opportunities to profit on volatility rebounds. The author seems most impressed with the Hunters, who habitually started at a less than 100% commitment of funds to a planned position and then added to their investment at lower prices when the market gave them an opportunity to do so.

Freeman-Shor’s point is that when the price falls on your investment you need to decide that something material has changed in the story or facts and you sell, or else you need to be ready to buy more (because if it was a good buy at $10, it’s a great buy at $5, etc.) but you can not just hang tight. That isn’t an investment strategy. This is why I put this book in the Benjamin Graham fold, the message is all about being rational ahead of time about how you’d react to the volatility of the market which is for all intents and purposes a given of the investing landscape.

Learning From Success, Too

The author goes over a couple other behavioral typologies, Raiders and Connoisseurs. I won’t spoil the whole book, it suffices to say that this section is worth studying as well because it can be just as nerve-wracking to try to figure out whether to take some profit or let a winner ride when you have one. Freeman-Shor gives some more thoughts based on his empirical observations of other money managers who have worked for him on when it’s best to do one or the other.

More helpfully, he summarizes the book with a winner’s and loser’s checklist.

The Winner’s Checklist includes:

-Best ideas only
-Position size matters
-Be greedy when winning
-Materially adapt when losing
-Only invest in liquid stocks

The last bit is probably most vital for a fund manager with redeemable capital.

The Loser’s Checklist includes:

-Invest in lots of ideas
-Invest a small amount in each idea
-Take small profits
-Stay in an investment idea and refuse to adapt when wrong
-Do not consider liquidity

Free e-Book With Purchase!

It is hard for me to decide in my own mind if this book is a 3.5 or a 4 on a 5-point scale. I think of a 5 as a classic, to be read over and over again, gleaning something new each time. This would be a book like Security Analysis: Sixth Edition, Foreword by Warren Buffett (Security Analysis Prior Editions) or The Intelligent Investor: The Definitive Book on Value Investing. A Book of Practical Counsel (Revised Edition) (Collins Business Essentials). A 4 is a good book with a lot of value and a high likelihood of being referenced in the future, but not something I expect to get a new appreciation for each and every time I read it. A 3 is a book that may have been enjoyable overall and provided some new ideas but was overall not as interesting or recommendable.

While I enjoyed this book and did gain some insight from it, and I think the editorial choices in the book were bold, it’s closer to a 3 in my mind than a 4 just in terms of the writing and the ideas. I’ve found a lot of the content in other venues and might’ve rated it higher on my epiphany scale if this was one of the first investment books I ever read.

But something that really blew me away is that the publisher, Harriman House, seems to have figured out that people who buy paper books definitely appreciate having an e-Book copy for various reasons and decided to include a copy for free download (DRM-free!!) in the jacket of the book. This is huge. I read my copy on a recent cross-country flight and was really agonizing about which books from my reading stack wouldn’t make the trip for carry-on space reasons and then realized I could take this one with me on my iPad and preserve the space for something else. That’s a big value so I am going with a 4 as a result.

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Kamis, 06 Januari 2011

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Advertising Creative: Strategy, Copy, and Design 2nd edition

  • Sales Rank: #6793336 in Books
  • Published on: 1601
  • Binding: Paperback

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El libro secreto de Frida Kahlo (Atria Espanol) (Spanish Edition), by F. G. Haghenbeck

Now in Spanish: one of Mexico’s most celebrated new novelists, F. G. Haghenbeck offers a beautifully written reimagining of Frida Kahlo’s fascinating life and loves.

Entre los objetos personales de Frida Kahlo había una pequeña libreta negra a la que llamaba “El Libro de Hierba Santa” con su colección de recetas de cocina dedicadas a la Santa Muerte. Esta se exhibiría por primera vez en el Palacio de Bellas Artes con motivo de la fecha de su natalicio. El día que se abrió la exhibición al público la libreta desapareció.

F. G. Haghenbeck, uno de los escritores más aclamados en México, se inspiró en este hecho y escribió esta maravillosa novela, la cual trae una vez más a la vida a la famosa artista Frida Kahlo.

Haghenbeck imagina que esta libreta fue un regalo de su amante Tina Modotti, después de que Frida sobrevivió al terrible accidente de tráfico que marcó su vida. Desde este punto, Haghenbeck intercala recetas con pasajes vividos por la artista y reconstruye de una forma magistral la tumultuosa pero fascinante vida de Frida Kahlo, desde su romance con el amor de su vida y afamado pintor Diego Rivera, hasta sus relaciones con personajes famosos como Georgia O’Keeffe, Ernest Hemingway y Salvador Dalí, entre otros.

  • Sales Rank: #235225 in Books
  • Published on: 2012-09-25
  • Released on: 2012-09-25
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.31" l, .55 pounds
  • Binding: Paperback
  • 320 pages

About the Author
F. G. Haghenbeck, a native of Mexico, is an award-winning novelist and screenwriter. His novel Frida Kahlo’s Secret Book has been translated into ten languages. He lives in Tehuacán, Mexico.

Excerpt. © Reprinted by permission. All rights reserved.
CAPÍTULO I

Esa noche de julio no era como tantas otras, las lluvias se habían quedado agazapadas en un rincón para ofrecer el manto negro de un cielo estrellado, libre de nubes fodongas que descargaran lágrimas sobre los habitantes de la ciudad. Si acaso un ligero viento silbaba cual chamaco jugueteando entre los árboles de una pomposa casa azul que dormitaba la cálida noche de verano.

Y fue precisamente en esa noche tranquila cuando se escuchó un constante golpeteo que retumbaba por todos los rincones del pueblo de Coyoacán. Eran los cascos de un caballo que tamborileaban al trotar por el empedrado. El eco de sus pasos resonaba en cada esquina de los hogares de altos techos de teja para avisar a todos sus moradores de la llegada de un extraño visitante.

Presa de curiosidad, debido a que México era ya una ciudad moderna, lejana de las arcaicas fabulas y leyendas pueblerinas, los pobladores de Coyoacán interrumpieron la cena para asomarse a través del rabillo de su portón y descubrir al enigmático cabalgador seguido de una corriente de aire “propia de difuntos o aparecidos”. Un perro bravo se enfrentó a ladridos al misterioso jinete, lo que no perturbó al hermoso corcel blanco y menos aún al que lo montaba: un adusto jinete cuyo pecho cubierto por un chaquetín marrón cruzaban pistoleras repletas de balas. Éste, llevaba calado un sombrero de paja tan grande que igualaba en tamaño al domo de una iglesia y le oscurecía por completo el rostro. De entre las sombras de su semblante sólo se atisbaban unos impactantes ojos brillantes y un grueso bigote que sobresalía de ambos extremos de la cara. A su paso, los ancianos aseguraron las puertas con doble llave, pasador y tranca, temerosos aún del recuerdo de la Revolución, cuando esos visitantes traían consigo la ruina y desolación.

El jinete se detuvo en la esquina de la calle Londres, frente a una casa añil cuya fachada toda de azul cobalto, gritaba su peculiaridad en el vecindario. Los ventanales figuraban gigantescos párpados asentados junto al portón. El caballo se movió nervioso, apaciguándose en cuanto el jinete descendió para darle cariñosos golpecitos en el cuello. Luego de ajustarse sombrero y pistolera, el forastero se dirigió con aplomo hasta el portón y jaló el cordel haciendo repiquetear la campana. De inmediato se encendió una luz eléctrica y la entrada de la casona se iluminó por completo, descubriendo un ejército de polillas que zumbaban su desesperación alrededor del foco de la entrada. Cuando Chucho, el mozo indispensable de toda casa que se respetara, asomó su cabeza para descubrir al visitante, éste lo miró fijamente y avanzó un paso. Tembloroso, el cuidador lo dejó pasar no sin antes persignarse varias veces mientras rezaba algunos aves marías. Sin decir nada, el visitante cruzó el zaguán con grandes zancadas hasta llegar a una maravillosa locación decorada con muebles artesanales, plantas exóticas e ídolos prehispánicos. La casa estaba llena de contrastes. En ella convivían objetos de dolor, recuerdos de alegría, sueños pasados y triunfos presentes. Cada cosa hablaba para mostrar el mundo privado de su propietaria, quien esperaba al visitante en su habitación.

El recién llegado caminó por cada habitación con la soltura propia de quien las conociera de memoria. A su paso encontró un enorme Judas de cartón con gruesos bigotes de panadero, que en lugar de ser tronado el próximo domingo de resurrección tendría que conformarse con servir de modelo de algún cuadro de su propietaria; pasó frente a calaveras de azúcar que le sonreían con su eterno gesto endulzado de felicidad; dejó atrás las figuras aztecas con referencias mortuorias y la colección de libros empalagados de ideas revolucionarias; cruzó la sala que albergó artistas que cambiaron un país y lideres que trasmutaron el mundo, sin pararse a mirar las viejas fotografías familiares de los antiguos inquilinos, ni las pinturas de colores que saltaban como un arco iris embriagado por un mezcal vaporoso; hasta llegar al comedor de madera, que añoraba las risas fáciles y las reuniones ruidosas.

La Casa Azul era un lugar donde se recibía a los amigos y conocidos con placer, y el jinete era un viejo conocido de la dueña, por eso Eulalia la cocinera, en cuanto lo vio, corrió a la cocina forrada de estruendosos mosaicos de Talavera a prepararle bocadillos y bebida. De todos los espacios de la casa, la cocina era el corazón que la hacía palpitar, convirtiendo una inerte edificación en un ser viviente. Más que una simple morada, la Casa Azul era el santuario, refugio y altar de su señora. La Casa Azul era Frida. En ella atesoraba recuerdos de su transitar por la vida. Era un lugar donde sin problemas convivían los retratos de Lenin, Stalin y Mao Tse-tung con retablos rústicos de la virgen de Guadalupe. Flanqueaban la cama de latón de Frida, una enorme colección de muñecas de porcelana sobrevivientes de varias guerras, inocentes carritos de madera carmesí, aretes cubistas en forma de manos y milagros de plata para bendecir los favores de algún santo. Todo eso daba cuenta de los deseos olvidados de esa mujer sentenciada a vivir enclavada a su cama. Frida, la santa patrona de la melancolía, la mujer de la pasión, la pintora de la agonía, quien permanecía en su lecho, con la mirada en sus espejos que en silencio se peleaban por mostrarle la mejor imagen de la artista vestida de tehuana, zapoteca o de la mezcla de todas las culturas mexicanas. El más inclemente de todos era un espejo colocado en el techo de su cama, que se empeñaba en reflejarla para que pudiera encontrarse con el tema de toda su obra: ella misma.

Cuando el forastero entró a la recámara, Frida volvió su rostro adolorido y sus miradas se encontraron. Se le veía demacrada, flaca y cansada. Aparentaba mucho más que el medio siglo que había vivido. La mirada de sus ojos cafés era lejana, perdida a causa de las abundantes dosis de droga que se inyectaba para aplacar sus dolores y del tequila en el que maceraba sus desamores. Esos ojos que eran carbones grises a punto de extinguirse, y que alguna vez fueron llama encendida cuando Frida hablaba de arte, política y amor, ahora eran ojos lejanos, tristes pero sobre todo, cansados. Apenas si se movió, un corsé ortopédico la aprisionaba, coartándole la libertad. Una de sus piernas era la única que se revolvía nerviosa en busca de su compañera, la que le habían cortado unos meses atrás. Frida contempló a su visitante, recordando sus anteriores encuentros, cada uno atado a una desgracia. Esperaba esa reunión con desesperación, y cuando su habitación se inundó de un fuerte aroma a campo y tierra húmeda, supo que por fin el Mensajero había acudido a su llamado.

El Mensajero simplemente permaneció de pie junto a ella, posando su resplandeciente mirada sobre el delicado cuerpo quebrado. No se saludaron, pues a los viejos conocidos se les disculpan las inútiles reglas sociales: Frida se limitó a levantar la cabeza como preguntando cómo iba todo ahí de donde él venía, y él respondió con un toque de su mano al sombrero ancho para indicar que todo iba de maravilla. Entonces Frida, molesta, llamó a Eulalia para que atendiera al invitado. Los gritos fueron rudos, groseros. Su antiguo humor coqueto y parrandero había sido sepultado con la pierna amputada, había muerto con las operaciones y la congoja de sus enfermedades. Su trato hacia la gente era de limón amargo.

La sirvienta apareció con un platón muy coqueto, adornado de flores y un mantelito con pájaros bordados donde se leía un “Ella” escrito con pétalos de rosa blanca. Sobre una mesita al lado de la cama, colocó la charola que portaba la ofrenda dedicada al visitante: una botella de tequila y botana. Nerviosa por la presencia de ese hombre, Eulalia sirvió el aguardiente en dos copas de cristal soplado, del mismo azul de la casa, y las acompañó con sus respectivas sangritas; luego arrimó la fresca botana de pico de gallo, un queso panela horneado y limones partidos en cuartos. Antes de que las cítricas sonrisas dejaran de balancearse, Eulalia ya se había escabullido.

No podía evitar el escalofrío que le provocaba la presencia del extraño a esas horas de la noche; le ponía la piel de gallina. En cuanto pudo le aseguró al resto de la servidumbre que nunca vio que su cuerpo arrojara sombra. Por eso, al igual que Chucho, se recitó los avemarías y padrenuestros necesarios para alejar el mal de ojo y los aires fúnebres.

Frida tomó la copa de tequila. Con ese gesto tan suyo de levantar su ceja unida, se la empinó en la boca, un poco para mitigar las descargas de dolor en su cuerpo, y otro para acompañar a su invitado. El Mensajero hizo lo suyo con su copa, pero sin probar la sangrita. Fue una lástima que también desairara la botana, preparada con la receta que Lupe, la antigua esposa de Diego, le había enseñado a la pintora. Frida se sirvió otra copa. No era la primera de ese día, pero sí sería la última de su vida. El alcohol entró en su garganta, despertando su mente adormilada.

—Te llamé para que le mandes un recado a mi Madrina. Quiero cambiar nuestra cita del Día de Muertos. No habrá ofrenda este año. Quiero que venga mañana. Dile a ella que espero que la marcha sea feliz y esta vez no quiero volver.

Frida guardó silencio para dar tiempo a que el Mensajero contestara, pero como siempre, no hubo respuesta. Aunque nunca había escuchado su voz, ella insistía en hablarle. Sólo sus ojos hambrientos que clamaban tierra y libertad se clavaron en ella. Bebió su último tequila como un acto de solidaridad, dejó la copa y dio media vuelta para salir de la habitación con su cascabeleo de espuelas, dejando a la artista con la vida hecha trizas, como su esqueleto. Caminó por el patio con zancadas de caporal de rancho, pasando por el jardín donde las cotorras, perros y changos gritaban al notar su presencia. Llegó hasta la entrada cuyo portón abierto sostenía Chucho, y se despidió de él ariscamente con una inclinación de cabeza, mientras al asustado mozo le salían más persignadas que a una viuda en domingo. Montó de nuevo su caballo blanco, y se perdió calle abajo en la noche azul negra.

Al escuchar los cascos alejarse tras el viento gélido, Frida apretó con su mano el pincel que rebosaba tinta negra. Garabateó una frase en su diario personal, y la adornó añadiendo viñetas de ángeles negros. Terminó el dibujo con lágrimas en los ojos. Cerró el cuaderno y llamó de nuevo a la cocinera; luego sacó del buró una libreta negra desgastada, viejo obsequio de días felices, cuando aún podía soñar con vivir. Se la regaló su amiga Tina meses antes de que contrajera matrimonio con Diego. Ésta, además del recuerdo, era el único presente que guardaba con aprecio de su boda. La abrió en la primera página y leyó mediante un imperceptible movimiento de labios: “Ten el coraje de vivir, pues cualquiera puede morir”. Después comenzó a pasar las páginas con la lentitud y cuidado propios de un bibliotecario ante una Biblia escrita en antiguos pergaminos. En cada hoja había tesoros escondidos, pedazos de su vida derramados en recetas de cocina que había aderezado, cual delicioso puchero, con poesías y comentarios sobre cada una de las personas de su vida. Ella misma le llamaba burlonamente “El libro de Hierba Santa”, pues ahí había escrito las recetas que utilizaba para levantar altares en cada Día de Muertos, en cumplimiento de una promesa hecha muchos años atrás. Rebuscó entre las hojas llenas de aroma a canela, pimienta y manojos de hierba santa, hasta que encontró la receta que le entregaría a Eulalia.

—Te voy a hacer un encargo muy importante, Eulalia. Mañana vas a preparar este plato tal cual lo tengo escrito. Te vas al mercado tempranito a comprar todo. Y quiero que te quede para chuparse los dedos —le indicó señalando la receta del platillo. Hizo una pausa para soportar la angustia de saber que la vida se le escurría, y continuó dando órdenes—: después de que cante el gallo, lo agarras, y lo matas para el guisado.

—Niña Fridita, ¿vas a matar al pobre del señor Cui-cui-ri? —le preguntó admirada—. Pero si es tu preferido. Lo mimas como si fuera tu hijo.

Frida no se molestó en contestarle, simplemente volteó la cara y cerró los ojos para tratar de conciliar el sueño. Eulalia se retiró con el cuaderno pegado a su corazón.

En ese lecho que era su cárcel, Frida soñó banquetes, calaveras de azúcar y pinturas en una exposición. Al despertarse, ya no encontró a Eulalia. Su casa permanecía en silencio. Comenzó a dudar de que la visita del Mensajero y su vida toda, incluso su primera muerte, no fueran sino una jugarreta de las drogas prescritas para sobrellevar el dolor que la torturaba. Después de mucho pensarlo, supo que todo era verdad. Y rompió a llorar, de rabia, de angustia, hasta que el sueño volvió a arrullarla para alejarla otra vez de la realidad.

Horas más tarde llegó Diego de su estudio de San Ángel. Al entrar al dormitorio para ver a Frida, la descubrió dormida con un gesto de sufrimiento. Le extrañó notar que sobre la mesa de noche había una botella de tequila a medio tomar y dos vasos todavía olorosos a alcohol. Se intrigó aún más cuando los sirvientes le aseguraron que su patrona no había recibido visita alguna. Arrimó su mecedora y se sentó al lado de la cama de su mujer. Le tomó la mano con delicadeza, como si fuera una fina pieza de porcelana y la acarició suavemente, con miedo de lastimarla. En tanto, su memoria viajaba por los años de recuerdos compartidos; evocó el fuego que guardaba ese pequeño cuerpo al que amaba tanto con lujuria como con la devoción que un hijo experimenta hacia su madre. Degustó sus noches de sexo, coronadas por los delicados pechos blancos de Frida, tan pequeños como melocotones, por sus nalgas redondas, y recordó aquel día en que se lo dijo y ella tan coqueta sólo respondió: “¿Mis nalgas son como la hierba santa?”, luego le explicó que esa hoja posee la forma de un corazón. Lloró durante varios minutos al ver reducida esa pasión a una máquina rota. El sueño le llegó mientras decía en murmullo: “Mi Frida, mi niña Frida . . . ”

Al siguiente día, después de que el gallo preferido de la pintora anunció el nuevo día, como prodigiosamente lo había hecho durante más de veintidós años, le torcieron el cogote y lo guisaron. Pero Frida nunca pudo degustarlo.

En el informe médico quedó consignado que su muerte fue a causa de una complicación pulmonar. Con la complicidad de las autoridades, Diego evitó que se le hiciera la autopsia. Y desde entonces, la teoría del suicidio se dispersó como el aroma del café matutino preparándose a fuego lento.

Las desgarradoras últimas palabras que Frida escribió en su diario fueron: “Espero que la marcha sea feliz y esta vez espero no volver”.

EL MENSAJERO

Una vez dijo: “el que quiera ser águila que vuele, el que quiera ser gusano que se arrastre, pero que no grite cuando lo pise”. No me lo dijo a mí. Ni sé a quién se lo dijo, pero de que lo dijo, lo dijo. Hay que servirle tequila, sangrita y algo de comer, pues seguramente viene cansado del largo camino. Yo también estaría hasta la madre de andar cabalgando así.

Pico de gallo

La Lupe, un día que andaba de buenas, me dijo que la copa de tequila y el pico de gallo eran imprescindibles en Jalisco, en el ritual previo a la comida. Allá, en su pueblo, los trabajadores al llegar de sus labores en la parcela se sentaban en los equipales bajo la sombra del corredor a comer fruta sazonada y queso panela entre sorbo y sorbo de tequila.

2 jícamas frescas peladas, 4 naranjas grandes y jugosas, 3 pepinos pelados, 1/2 piña pelada, 3 mangos semi verdes, 1 xoconostle, 1 manojo de cebollitas, 6 limones, 4 chiles verdes y sal de grano.

Hay que picar uniformemente y en cantidades iguales: jícama, naranja, pepino, piña, cebolla, mango y xoconostle. Si se le agregan granos de granada el plato puede adornarse como la bandera de México, y verse requete chulo. Hay que aderezar con la mezcla del jugo de los limones, los cuatro chiles y una cucharada de sal de grano. O bien, sazonarla solo con limón y chile en polvo.

Queso panela horneado

La panela, que es de la tierra del tequila, es un queso fresco muy sabroso, diferente al que compro aquí. Se consigue en los mercados y en las tienditas de por allá. A veces Lupe se traía algunos muy sabrosos de sus viajes.

1 queso panela, 1 diente de ajo grande, 1/4 de taza de hojas de cilantro, 1/4 de taza de hojas de perejil, 1/4 de taza de hojas de albahaca, 1 cucharada de hojas de orégano fresco, 1/2 taza de aceite de oliva, sal y pimienta negra recién molida.

Hay que poner en una cazuela de barro un queso panela grande oreado y luego bañarlo con una salsa que se prepara picando finamente el diente de ajo y el resto de los ingredientes. Se sazona con sal y pimienta y se deja macerar durante 6 horas en un sitio fresco, ya sea en el patio o en la ventana, cuidando que no se lo coman los changos. Después se hornea a 180 grados centígrados durante 20 minutos o hasta que comience a derretirse. Se sirve cuando todavía está calientito. Esta preparación es buena para ofrecerla como botana acompañada de tostadas o rebanadas de birote.

Sangrita

Esta receta de sangrita la conseguí en un viaje con Muray. Fue cuando me enseñó que debía acompañar mi tequila con una bebida agridulce. A mí me gusta el tequila solo, como los machos, y siempre me ha servido para impresionar a los invitados gringos que vienen a ver a Diego.

2 chiles anchos, 2 cucharadas de cebolla picada, 2 tazas de jugo de naranja, 1/2 taza de jugo de limón verde y sal.

Hay que poner los chiles anchos asados, desvenados y sin semillas a hervir por 2 minutos, y luego dejarlos reposar 10. Se mezcla la cebolla, el jugo de naranja y la media taza de jugo de limón verde y se ponen junto al chile ancho en la licuadora o en un molcajete; se muele todo muy bien y se le agrega sal. Se le puede añadir más jugo de naranja, limón o jugo de tomate.

La sangrita es la mujer. Es la que huele a especias y cebollas. La que le pone el color y lo picoso al macho tequila. Ellos dos, juntos, son un idilio perfecto.

Cuánto me gustaría ser así con mi Dieguito. Pero él puede ser mi amigo, mi hijo, mi amante, mi colega; nunca mi esposo. Después del choque que tuve con el tranvía, él ha sido mi peor accidente.

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2 of 2 people found the following review helpful.
Este libro esta padrisimo!
By Griss
Este libro me pareció fantástico! Siendo de México me trajo tantos recuerdos de mi abuela, la cultura, la comida y la gente de mi patria. Está lleno de nostalgia, alegría, amor y dolor, todo en un libro.
F. G. Haghenbeck tiene una facilidad de letra muy linda, que mantiene al leyente entretenido en todo el libro y hasta la última página. Disfrutas los amoríos de Frida, Sientes su dolor, y hasta pruebas su comida con las recetas el final de cada capítulo! Es uno de esos libros que no quieres que nunca termine!

1 of 1 people found the following review helpful.
Entretenido
By gabriela pascal
es una historia conocida, pero planteada desde un angulo muy femenino, jugando entre la vida y la muerte en una apuesta permanente a la vida, sabiendo que la muerte nos espera a la vuelta de la esquina.
la cocina como puerta del alma, usando los riquisimos sabores y olores mexicanos para despertar los sentidos,
Vale la pena !

1 of 1 people found the following review helpful.
Interesante y bien escrito
By Eva Silva
Frida Kahlo es una gran figura del arte. Conocer acerca de su vida resulta muy interesante, además de algunas pinceladas de datos históricos de México. Muy bien escrito, te logra transportar a ese México tradicional, incluye recetas de platillos mexicanos. Vale la pena leerlo!

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Senin, 03 Januari 2011

[Y519.Ebook] Free Ebook Graduate Mathematical Physics, With MATHEMATICA Supplements, by James J. Kelly

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Graduate Mathematical Physics, With MATHEMATICA Supplements, by James J. Kelly

This up-to-date textbook on mathematical methods of physics is designed for a one-semester graduate or two-semester advanced undergraduate course. The formal methods are supplemented by applications that use MATHEMATICA to perform both symbolic and numerical calculations.
The book is written by a physicist lecturer who knows the difficulties involved in applying mathematics to real problems. As many as 40 exercises are included at the end of each chapter. A student CD includes a basic introduction to MATHEMATICA, notebook files for each chapter, and solutions to selected exercises.

* Free solutions manual available for lecturers at www.wiley-vch.de/supplements/

  • Sales Rank: #895835 in Books
  • Brand: Brand: Wiley-VCH
  • Published on: 2006-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .80" w x 6.70" l, 2.06 pounds
  • Binding: Paperback
  • 482 pages
Features
  • Used Book in Good Condition

Review
"Kelly has been successful in creating a narrowed and focused book, with an accompanying student CD-ROM…" (CHOICE, July 2007)

From the Back Cover
This up-to-date textbook on mathematical methods of physics is designed for a one-semester graduate or two-semester advanced undergraduate course. The formal methods are supplemented by applications that use MATHEMATICA to perform both symbolic and numerical calculations.
The book is written by a physicist lecturer who knows the difficulties involved in applying mathematics to real problems. As many as 40 exercises are included at the end of each chapter.
A student CD includes a basic introduction to MATHEMATICA, notebook files for each chapter, and solutions to selected exercises.

* Free solutions manual available for lecturers at www.wiley-vch.de/supplements/

About the Author
James Kelly received his BS from CalTech in 1977 and his PhD from MIT in 1981. He was an Oppenheimer Fellow at Los Alamos before joining the faculty of the University of Maryland in 1984, where he is currently a Professor. His research is primarily in experimental nuclear physics, where he is expert in data analysis and simulation, but he also often performs the calculations required to test theoretical models. His most recent topic is the electromagnetic structure of the nucleon and its low-lying excited states.

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4 of 4 people found the following review helpful.
good Mathematica examples
By W Boudville
If you are a physics graduate student, with a preference for computational topics, then Kelly's book can be a useful guide. Especially if you also plan on using Mathematica. There is no shortage of general texts on the latter, including from Wolfram Research itself. But at the graduate physics level, your needs tend to be far more specialised.

Now, strictly speaking, Kelly's book is primarily about various maths topics that physicists use. With the sections on Mathematica secondary. But I found little to distinguish this from other "pure" texts on mathematical physics. Nothing wrong with it, per se. However, what seems to differentiate this book from others are those sections showing how to use Mathematica in exotic ways. Perhaps this is how you should also treat it?

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