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Award-winning graphic novelist Matt Phelan delivers a darkly stylized noir Snow White set against the backdrop of Depression-era Manhattan.
The scene: New York City. The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.
- Sales Rank: #19755 in Books
- Published on: 2016-09-13
- Released on: 2016-09-13
- Original language: English
- Number of items: 1
- Dimensions: 8.02" h x .77" w x 6.56" l, 1.25 pounds
- Binding: Hardcover
- 216 pages
From School Library Journal
Gr 4–8—Spanning the Roaring Twenties and the Great Depression, Phelan's noir-esque adaption of the classic fairy tale is atmospheric, clever, and touching. Samantha White, affectionately called Snow White by her ailing mother, is sent off to a boarding school as her father, the King of Wall Street, grieves his wife's death by marrying the dazzling Queen of the Follies. Banished from her home by her stepmother, the young woman returns a decade later after her father's mysterious death. Not content with the fortune left to her in her husband's will, the menacing bob-haired villain dispatches Mr. Hunter to kill off Snow, who gets lost in Hooverville, where she encounters the Seven, a group of diverse street kids who take her in. The graphic novel plays with the source material, using the trappings of the time period to add depth and nuance to the narrative. With the dramatics, pacing, and mostly black-and-white palette of a silent film, the lush and stark watercolors showcase the good and evil aspects of the era to tell a timeless tale of love, betrayal, and family. Splashes of red are economically and strategically used to add drama to the presentation, from the drops of blood on Snow's mother's handkerchief to the scarlet of the poisonous apple. Themes of class are also explored here, making this a title worth sharing and studying at multiple levels. Especially resonant are the relationships that the heroine builds with her young protectors. The last few colorful pages will tug at heartstrings as Snow, the Seven, and an intrepid Detective Prince get their happy endings. VERDICT A stunning, genre-bending graphic novel for all middle grade and middle school collections.—Shelley Diaz, School Library Journal
Review
The visuals are deeply effective: entire sections are wordless, propelling the reader through dramatic scenes and inviting reflection during quiet, contemplative spots...Pencil, ink, and watercolor illustrations break out of loose panel structuring; sharp lines and shadow heighten tension and expanses of open white space sometimes draw the eye to a specific scene. This graphic novel will find a welcome home with fairy-tale fans who have outgrown the Disney version (or, less likely, the Grimm version) but still find the tale compelling.
—Bulletin of the Center for Children's Books (starred review)
Phelan (Bluffton) delivers a spectacular 20th-century update of "Snow White," transplanting the story to Jazz Age and Depression-era New York City, where themes of jealousy, beauty, and power find a comfortable home...Moody gray and sepia panels carry the story forward, punctuated by splashes of lurid red—for an animal heart, procured at a butcher’s shop, or an apple tainted with a syringe. Snow’s affectionate relationship with "the Seven," a group of street children, is among this adaptation’s most potent elements. The boys are hesitant to tell Snow their names, but readers will want tissues on hand when they finally do.
—Publishers Weekly (starred review)
Spanning the Roaring Twenties and the Great Depression, Phelan’s noir-esque adaption of the classic fairy tale is atmospheric, clever, and touching...Especially resonant are the relationships that the heroine builds with her young protectors. The last few colorful pages will tug at heartstrings as Snow, the Seven, and an intrepid Detective Prince get their happy endings. A stunning, genre-bending graphic novel for all middle grade and middle school collections.
—School Library Journal (starred review)
Phelan masterfully shifts a tale heavily reliant on magic and fantasy into a realistic and historical setting without compromising plausibility. Creating sweeping and dreamy watercolors that play with emotion and color, Phelan is an exquisite visual storyteller, and he lets expressive, wordless sequences carry a large portion of his interpretation. With a keen historical slant, a bit of action and intrigue, high visual interest, and the fairy-tale leaning, this will awe a wide readership. Brilliant.
—Kirkus Reviews (starred review)
Pencil, ink, and watercolor images (in mostly sepia tones, with occasional spots of color: red for the poisoned apple, for example) move readers’ eyes across each page, providing an appropriately cinematic noir sensibility. This cinematic effect is further enhanced by the feel of constant movement, the varied panel sizes, and a judicious use of text. Some scenes are wordless; for others, Phelan uses varied fonts to enhance the drama. By the final wordless all- color sequence (spoiler: there is a happy ending), it is clear that this is an original and darkly beautiful take on the classic tale.
—Horn Book
In a series of silent-movie-like vignettes, Phelan puts a Jazz Age spin on the classic tale of Snow White...Readers hungry for graphic adaptations of fairy tales will find their appetites slaked here.
—Booklist
Phelan’s wonderfully expressive and realistic faces do most of the storytelling, and readers will linger on the dynamic structure of each page, as the artist’s characteristic soft edges contrast with interesting page layouts...Fans of Brian Selznik’s books will enjoy this one.
—VOYA
With atmospheric, largely monochrome watercolors, Mr. Phelan reworks the old story with chilly elegance but also tenderness of heart:
—The Wall Street Journal
Featured/recommended in Holiday Gift Guide
—Publishers Weekly
About the Author
Matt Phelan is the author-illustrator of three previous graphic novels: the Scott O’Dell Award–winning The Storm in the Barn, Around the World, and Bluffton, which was nominated for three Will Eisner Comic Industry Awards, including Best Graphic Album. He is the author-illustrator of Druthers and the illustrator of many books for young readers, including Marilyn’s Monster by Michelle Knudsen and The Higher Power of Lucky by Susan Patron, winner of the Newbery Medal. Matt Phelan lives in Pennsylvania.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A Great Addition to Your Graphic Novel Library
By Jennifer Druffel
I am always on the lookout for a great graphic novel to add to my classroom library. SNOW WHITE, by Matt Phelan, will be a great addition. I love the fact that this fairy tale of a story is set in the depression era. It reminds me of the greed that drives our society and motivates people to do the unthinkable. Yet, good will always prevail. We can find the kind, true-hearted people everywhere, if we look hard enough. I cannot wait to share this story with my daughters and my class of fifth-graders.
1 of 1 people found the following review helpful.
Dark and gritty; a unique spin on the original Snow White tale.
By Kelly Garbato
My name is Snow White, but my mother didn’t call me that to be funny.
She would say that the snow covers everything and makes the entire world beautiful.
###
* tick * tick * tick * KILL
###
I love a good fairy tale retelling, and this one is truly unique. Set in 1920s New York City, Matt Phelan’s SNOW WHITE is a gritty comic book adaptation with a decidedly noir spin.
Samantha White is just a child when her mother dies; the two are traipsing through a city landscape blanketed with snow when Mom doubles over coughing. On her kerchief are specks of blood. The year is 1918, and little Snow White is about to lose her mother to the “Spanish Flu.”
Fast-forward ten years. The widower Mr. White, a wealthy stockbroker, is instantly smitten with the newest It Girl, the star of Broadway, the Queen of Follies. They wed, Snow White is shipped off to boarding school, and the family somehow – magically – survives the stock market crash of 1929, which leaves so many of their peers destitute. Everything is okay-ish; that is, until our wicked stepmother receives ominous messages from her husband’s stock market ticker. Before long, Samantha’s father is dead and she’s on the run.
From the glamour of Broadway to the shanties of Hooverville, Phelan makes excellent use of the setting. Much of the artwork is rendered in shades of black, white, and tan, accentuating the story’s gritty atmosphere and noir influence. Little pops of color, particularly red – the bright, spotty blood on Mom’s handkerchief; the blush on Snow’s cheeks; the drugged apple she accepts from an elderly sidewalk vendor – call attention to important panels and props. The artwork has a rough quality, much like the streets Snow wanders when she is cast out of her childhood home.
Like the artwork, the dialogue is rather minimalist; yet if you are familiar with the story (and what American isn’t?), you should have no trouble following along. All of the various components – setting, plot, atmosphere, illustrations, and dialogue – work in harmony to deliver a Snow White that’s darker and more firmly rooted in reality than the original. The huntsman is a hired gun; the seven “dwarfs,” a group of homeless street kids. Yet there’s a touch of magical realism in the form of the Queen, linking this tale to its predecessors.
I also love the cover, which isn’t sad and naked, but rather designed to match both the front and back of the dust jacket.
Read it if: you fancy fairy tell retellings; you like the noir aesthetic; you’re a comic book fan, and want to try something a little different.
** Full disclosure: I received a free copy of this book for review from the publisher, Candlewick. **
1 of 1 people found the following review helpful.
The author did an excellent job reimagining a story that has been retold many times before in a new and exciting way.
By Jacquie @ Rattle the Stars
I love graphic novels! A few years ago I went through a phase where they were all I read, but I’m only now rediscovering how much I enjoy them. Of course, reading a graphic novel on my iPad is not ideal and because of the file some of the formatting was a bit off, but still, this book was well worth the issues that sprung up.
Almost everyone knows the story of Snow White. How her evil stepmother, blinded by jealousy, sends a huntsman to kill her. How Snow White is aided by the seven dwarfs, only to be tricked into eating a poisoned apple and the saved by a dashing prince. While most of those elements are in the graphic novel, the story and setting are turned on its head, creating a much more gritty and dark version of this well known fairytale.
The story takes place in New York City during the start of the Great Depression. Life during the 1920s had been good for Samantha Snow’s family, however, their fortunes change with the stock market. Her father dies under mysterious circumstances and her stepmother, enthralled by a ticker tape machine, becomes insanely jealous of Samantha’s wealth and beauty. After an attempt on her life, Samantha is helped by a group of street children and a no-nonsense police officer.
Snow White was a very quick read. I finished it in one sitting and this was mostly due to the fact that there aren’t many words. The story is primarily told through large black and white images. They are extremely detailed and yet come across as unfinished sketches. It reminded me of an old film. Of course, the lack of colour only further enhanced the fact that the story was set during a dark time period and Samantha’s suffering. The file did say that the images in the finished version of the book would be in colour, something that I don’t think is necessary at all. I really enjoyed the old and dark vibe they gave.
Overall, I highly recommend this graphic novel. The author did an excellent job reimagining a story that has been retold many times before in a new and exciting way.
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